Wilco (The Blog Post)

April 29, 2009

Wilco (The Band) has just released the name of their album: “Wilco (The Album)”.  See what they did there?

Also there’s the topic of the press photo:

vs…

Just sayin’

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Indie Fantasy

March 26, 2009

With Fantasy Football a long ways away, and with Fantasy everything else sucking, we have created the obvious next step in “fantasy gaming”…. Fantasy Indie Rock.

Is there any better way to monitor the commodity that has become “indie” than by drafting artists as properties and tallying points?  I don’t think so.  It’s a simple formula:  Their name gets mentioned on Pitchfork or Stereogum news, you get a point. Simple as that.

So me, Curran, Kenny, Matt and Rob sat down and did our inaugural “Indie Rock Draft” this week, and began tallying points.  The scoreboard is on a Google cloud spreadsheet so everyone can make changes and update their rosters as need be.

I’ll keep you updated on it’s progress, but for your enjoyment (and so I can tag the shit out of this post), here’s how the draft went (please note, Matt came late):

Round 1

  1. Curran    Kanye West
  2. Kenny    Wilco
  3. Rob    Animal Collective
  4. Brian    Colin Meloy

Round 2

  1. Brian    M.I.A.
  2. Rob    Lily Allen
  3. Kenny    Radiohead
  4. Curran    The Decemberists

Round 3

  1. Curran    Neko Case
  2. Kenny    U2
  3. Kroll    Conor Oberst
  4. Rob    Girltalk
  5. Brian    Death Cab For Cutie

Round 4

  1. Brian    Peter, Bjorn & John
  2. Rob    Sigur Ros
  3. Kroll    Ladyhawke
  4. Kenny    Andrew Bird
  5. Curran    Grizzly Bear

Round 5

  1. Curran    Jane’s Addiction
  2. Kenny    Bruce Springsteen
  3. Matt   Jesus Lizard
  4. Rob    Dangermouse
  5. Brian    No Age

Supplemental Draft

  1. Matt    Crystal Stilts
  2. Matt    Pains of Being Pure At Heart

The strategies were interesting… do you draft small-time bands with their SXSW stock rising, do you try to take a big guess on who’s going to be announced at Lollapalooza (or the billion of other festivals doing press releases),  do you risk taking the frontman of a band in the hopes you can double-up on points for their solo AND group material, or pick-up a producer who has his hands in a LOT of recordings but sometimes isn’t mentioned in shorter news articles.  Ohhhh, strategery.

If you’re curious, here are the top-5 scorers as of yesterday, 3/25:

1. Animal Collective – 6
2. Dinosaur Jr – 5
3. Death Cab For Cutie (tie) – 4
3. Passion Pit (tie) – 4
5. *13 bands tied with 3 points each* Beach House, Billy Corrigan, Black Lips, Conor Oberst, Department of Eagles, Dirty Projectors, Grizzly Bear, Jimmy Chamberlin, Kanye West, No Age, Soundgarden, Vivian Girls, Yeah Yeah Yeahs


Study: There’s money in Chicago Music. Hood Internet: Chicago Music is money.

June 2, 2008

Originaly posted on UR Chicago Here

A joint effort by the Chicago Music Commission and the University of Chicago’s Harris School of Cultural Policy, found both encouraging and not-so-surprising news about the local music biz. Firstly, Chicago “ranks third among metropolitan areas in the overall size of its music industry” behind, surprise-surprise; Los Angeles and New York. Chicago also had lower total revenue (meaning cheaper ticket prices for us, yay.)

The more-interesting news, fleshed out well by Chicago Innerview, is that Chicago books better bands, more often, for (relatively) cheaper ticket prices than any other American city:

…Researchers looked at the number of performances from Billboard magazine’s “Top 100 Artists” and the “Top 100 Artists” from the Village Voice Critics Poll and found that in 2004, Chicago had about 10 more such concerts than New York City. “There’s no other city where those critically acclaimed shows make up a bigger percentage of the total revenue generated,” the study’s co-author Dan Silver states. “So Chicago is really the center of high critical taste.”

A study quantifying the awesomeness of Chicago Music is nice to have, but there’s another way of celebrating the diversity of music in this city, and no, it’s not to re-name streets as Honorable Peter Cetera Parkway, and OkGo Boulevard.

It’s an all-city mashup mixtape of course! Courtesy of The Hood Internet. Though it doesn’t delve too far into the Blues and Gospel history of Chicago, lots of tunes from multiple decades are represented here and pack a serious punch–Twista rhyming over The Sea & Cake, Diverse with Andrew Bird, Dude N Nem N OFFICE, The Cool Kids party-rappin’ over house legend Frankie Knuckles–it’s all here. It’s a tight mix. My personal fav has to be the ’85 Bears shuffling alongside Kanye and Wilco. -Brian


Wilco Watch 2008

February 19, 2008

(originally on URChicago here.)

Did you know that Wilco loves Chicago and Chicago loves Wilco? It’s true! If you’ve been holed up for the week not reading, nor internet-ing and just concentrating on staying warm, you may not be aware the Jeff Tweedy & Co. have pledged to perform every song they’ve ever written in a five-day stint at The Riv. Don’t you love ambition?!

This is very exciting for half the fans of Wilco who have followed the rock pioneers since their twangy debut and describe them as “alt-country” (whatever that means). It’s also exciting for the other half of their fans that prefer the more-recent tangential works like Yankee Hotel Foxtrot, A Ghost is Born and Sky Blue Sky and describe them as “po-mo” (whatever that means).


(Nels Cline eking out a sweet “Impossible Germany” solo)

Though, if any modern band is up to this challenge, it’s Wilco. The band’s showmanship is as renowned as their songbook and so far the performances haven’t disappointed. The early shows, according to my pal Ruthie, focused heavily on the aforementioned “late period”. But, those ravenous (and computer-literate!) Wilco fans are tracking the set lists compulsively. Here’s a pie chart that would impress any indie rock chart-maker:


(Charts from WilcoBase.com)

During their stint Andrew Bird has stopped by twice to give a ‘lil whistle and a ‘lil fiddle and whoever else pops in for the last two shows is anyone’s guess. Though, I would guess it won’t be any artists Tweedy has dismissed from Wilco Island over the years: Ken Coomer, Max Johnston, Brian Henreman, Bob Egan, Jay Bennett, Leroy Bach. Jay Farrar’s prolly not stopping by either.


Top 10 Albums of 2007

January 11, 2008

Well. It’s been nearly a year since blizz-ogged on this page. But, I’m inspired by the STiTP/Kerchief Valhalla list, to post my own top 10 of the year. Like I do sometimes, I have to mention albums that are supposedly AWESOME but haven’t got my lazy-ass around to listening to.

Top 10 Albums of 2007

10. Y.A.C.H.T., I Believe in You. Your Magic is Real*
This one needs an asterisk. It took till ’07 for me to find, and fall head-over-heals with the bleeps, bloops and diary entries of The Blow. Early into 2007 Blow’s beatmaker, Jona Bechtolt, marooned singer/songwriter Khaela Maricich to pursue solo work under the name of YACHT. Since then, I’ve been left alone in a corner with no new Blow to enjoy. Bechtolt’s “solo” I Believe in You… consoled me – just like the friend whose consoling words don’t help but you appreciate them anyway.

MP3: “See A Penny (Pick It Up)”

9. Wilco, Sky Blue Sky
One guy calls it “dad rock” and gives it a deece review and suddenly everyone’s off the Wilco wagon. Poppycock! This album is the real deal. In the last decade we’ve seen Tweedy grow from the guy that wrote the couplet “We should take a walk / But you’re such a fast walker, whoa-oh”, to becoming a abstract Dixie Cup Aquarium Drinker, to a Wheel/Bug/Hummingbird, to Jeff Tweedy. After all the band shifts, style shifts (fan base shifts?) Wilco emerged this year, confident in their LP’s, walking softly and carrying a big catalog. Tweedy sings sweetly, simply and directly after a few years of his free-associative and abstract lyrics. The band’s kraut-rock exercises have been distilled into a few efficient jam-outs. There’s just something impressive about Nels Cline, an avant-jazz squall guitarist, reigning in his tendencies enough to play a simple, clean Allman-brothersesque guitar duet. As Lisa Simpson once said – “It’s the notes they’re not playing.”

MP3: “Impossible Germany”

8. Flosstradamus / Kid Sister
Does not releasing a “proper album” mean you can’t get any love on year-end lists anymore? Not in this crazy inter-blag world. Although, technically, there’s no proper album out, DJ/Mash-up kids Flosstradamus and one of the duo’s kid sisters – Kid Sister, are churning out the jams. The bumpin’ beats, hip-hop mashups, old-school rhymes, and indie-happy samples have been Chicago dance/bar favorites for a while now, but it’s time for the big time. SxSW lost their brains for Floss’ remix of Matt & Kim‘s Yea Yeah, meanwhile Kid Sister’s “Pro Nails” found it’s way onto Kanye‘s Can’t Tell Me Nothing mixtape and the rest will be history… by the end of next year. Watch your back though Flossy, The Hood Internet‘s quick on your tail. (Photo Credit: Everyoneisfamous.com)

MP3: Kid Sister “Southside”

MP3: Flosstradamus “Overnight Star”

7. Bishop Allen, The Broken String
It’s been nearly half a decade since Bishop Allen dropped the self-released Charm School LP – an album whose hooks and lines you’d catch yourself singing constantly. The groups ring-leaders, Christian Rudder and Justin Rice, recorded the album with a microphone, a pre-amp, and ProTools while trying hard not to annoy their Bishop Allen Drive neighbors in Cambridge, MA. They’re a dynamic and fairly prolific pair… aside from the band both have cultivated what seems like their own brand — Rudder writing the hilarious entertainment section of the now-defunct SparkNotes.com, and co-creating the equally hilarious dating site (OkCupid) while both Rice & Rudder are pseudo-stars of the burgeoning “Mumblecore” film scene (Rice starring in Mutual Appreciation and Rudder as the love interest in Funny Ha-Ha). The Broken String is a triumph of sorts, a culmination of a plan that started more than a year before its release – to support the band by self-releasing an EP each month for an entire year. Each month was a new surprise – a new track that was a sure-fire hit, and the LP, while lacking some of the DIY charisma of the individual EPs, is an album full of pure pop gold. Bishop Allen are as fun as every, but stretch their creative boundries with a latin-tinged “Like Castanets” and the dramatic flair of “The Monitor”.

MP3: “Rain”

6. Radiohead, In Rainbows
Perfect timing. Every few years people start forgetting about these Oxfordshire lads they come along and blow the lid off of everything. This time it was more context than content, but the album is solid, and exciting. Most exciting, at least to me, is Thom Yorke using the word “I” again. An interesting question to be posed – Is it a coincidence that the most direct, “pop” album Radiohead has put out in a decade is the one that they’re giving away to listeners for whatever they want to pay? I.E., would a challenging album along the lines of Kid A compromise the ultimate commercial success of the album? If so, does operating “free” from the Music Industry effect an artists creative process just as much (or more so) than operating within the system? It’s a temple-tapper.

MP3: “Weird Fishes/Apregi”

5. Kanye West, Graduation
What a hilarious twist. Kanye, throwing fits at MTV Europe Awards about Justice vs. Simian winning Video of the Year, learned a few lessons about Euro Dance Pop. 1) Synths can be cool 2) Pasty White People can be cool 3) Daft Punk is fucking cool.

MP3: “Flashing Lights”

4. Architecture in Helsinki, Places Like This
There were hankerings. After the last few loops around the U.S., AiH had subtly shifted from a twee band you could dance to, to a dance band you could drink chamomile tea to. Half the band disappeared and all of the sudden these Aussie’s were doing fun chant-along world beat tunes. Cameron Bird, who’s vocal stylings on their debut LP Fingers Crossed rarely raised above a childish whisper, now growls and yalps and screams – the fun juvenile spirit is still present in the band but now it’s like their at recess.

MP3: “Heart It Races”

3. LCD Soundsystem, Sound of Silver
Regardless of the criticism that Sound of Silver is nearly a song-for-song repeat of their debut LP, it still sounds better than nearly everything else out there. James Murphy, and his DFA clan can churn out the beats, that much is known. But if S.O.S. is a duplication of LCD Soundsystem it’s its doppelganger – imbedding criticism and actual emotion into dance tracks. Sarcasm and cynicism is a refuge (and a cash crop in Williamsburg) and Murphy trumped expectations by turning the scene’s discoball mirrors back onto themselves.

MP3: “All My Friends”

2. M.I.A., Kala
Dude. This some crazy shit. “Paper Planes” is easily my favorite song of the year — with or without gunshots. I LOVED Arular when it dropped and I’m so pleased that her follow-up is just as bombastic, vaguely political, vaguely danceable, but wholly original. I guess I’m happy we live in a cultural climate that an album as globally scatter-brained as this can find such a wide, receptive audience.

MP3: “Paper Planes”

1. The National, Boxer
I’m not a lyrics man. In fact, I’ll really only pay attention to the lyrics if the song sufficiently interests me. Lucky for The National, the urgent, heavy but not inaccessible sound begs you to read into their lyrics. Boxer’s content, just like its sound, is dark and brooding, but offers glimpses of romance, desperation, charm, and touchstone imagery. Beyond the discussion of the album’s cryptic Willy Loman storyline, what can’t be stressed enough is that the album is a true pleasure to listen to. A great album all the way through, and an LP that begs you replay it as soon as the last measure ends.

MP3: “Green Gloves”