Best Albums of the last 12 months or so… Passion Pit

May 1, 2009

Hey.  It’s May.  I continue to slack. Since the year is nearly half over, I’ll just post 12 or so albums I liked over the last 12 or some months…

Passion Pit – Chunk of Change

(#3 of 12 in no particular order)

As mentioned before, people are sick of sincerity. The world’s heart has hardened as year-after-year of more cloying emo bands  have clogged the brains of music fans and playlists of radio stations. When you hear something that’s confessional verging on embarrassing, it’s no longer a bold statement but a groaner.

Passion Pit, the nom de plum of Michael Angelakos, has the only acceptable excuse: these songs are not for you to hear. PP’s debut EP, “Chunk of Change” was recorded by him for an audience of one — his girlfriend.  Lyrics that would normally be cringe-worthy once again become sweet.  Grand imperfect love-sick gestures are somehow okay again.

What’s more, you can ignore all the lyrical content and you’re still hearing a brilliantly made laptop album. It’s an EP that mixes refreshing up-tempo samples, charmingly twee falsettos and occupational club-worthy bass. Their Vampire Weekendesque blog buzz has polarized critics, and the back-backlash should be starting soon.  Don’t worry about choosing sides… just give ’em a listen.

Their first LP, Manners, is dropping soon.


Who’s NOT Playing Pitchfork This Year

March 26, 2009

Thanks to the idiotic “Radius Clause” inflicted on Chicago every summer, while we eagerly anticipate which bands are announced to play its  two major music festivals every year, we know immediately who WILL NOT be playing.

"Sad hipster" courtesy of Aubs on Flickr

Time Out Chicago explained it well last year:

For 60 days before and 30 days after their Lollapalooza appearance, Lolla performers are prohibited from booking a show within 250 miles of Chicago (which includes Madison, Milwaukee, Champaign, Indianapolis, Ann Arbor and Iowa City)

Because of these bullshit protectionist agreements we know that any band that plays P-fork (July 17th to 19th) cannot play Lolla (Aug 7th to 9th). Boo, fucking, hoo. But it gets more interesting than that.

Provided that Pitchfork also follows these festival rules we know that any band playing between ~May 18th and ~August 16th will not be sweating it up on stage in Union Park.

This includes TONS of bands, most of which are inconsequential. But there are a few groups that are well-regarded by the haute-indie online tastemakers that now cannot play. (Pitchfork ratings in parenthesis):

I’m especially suprised to see SXSW * bloggy sweethearts School of Seven Bells and Passion Pit on this list. St. Vincent, though only registering one album on p4k, has been a favorite over the years.  As has Art Brut who will be doing a 5-day residency at Schubas over the summer.


Passion Pit Drives Schubas Crazy

January 28, 2009

Just reviewed Passion Pit for UR Chicago here.

Will re-post the article below, and extend it with some more rambling commentary…

 

In a giddy fit of keyboards, falsettos, and saccharine dance beats, Boston newcomers Passion Pit are charming their way west during their first national tour.  P.P. bounced their way through a congenial but criminally short set last night at Schubas, as Michael Angelakos engaged the audience with the same disarming manner and sky-high vocals that seep through every track of his debut EP, Chunk of Change.

PassionPitSchubas1.28-7 

The set started out playful and keyboard-heavy with Angelakos’ ear for pop melody pushing to the forefront.  Flanked a guitar, drums, two Rolands, a Moog, and sitting behind a Yamaha synth himself, Angelakos’ dare-you-to-sing-higher-than-me octaves pierced through riffs, piano lines, and programmed back-beats. Espousing sentiments that in lower vocal ranges might be cringe inducing diary entries, the proper set ended with the dance-happy electropop of “Sleepyhead” and “Better Things” to which the sellout crowd lost their collective brains to, bloggers and ALTBros alike.

Angelakos apologized repeatedly for the abridged set, but, the audience couldn’t blame them for succinctness – Passion Pit just haven’t been around long enough to have a full set.

In a backstory that’s impossible not to repeat; Passion Pit’s origins couldn’t be more endearing: Originally a late Valentine’s Day present for Angelakos’ g/f, the “Chunk of Change” CDR made the rounds at Emerson University, made waves in Boston, and made headlines after some stellar sets at this year’s CMJ music fest in New York. A few months later, after some east coast practice gigs, they’re on tour backed by new label Frenchkiss, playing the six songs that everyone knows and road-testing a few new ones.

Passion Pit’s sincerity and DIY style fits with just a few other bands who somehow dodge be criticized for being goddamned “sincere” all the time — people have seemed to get really sick of that recently. (The fact that, as 20-something culture consumers, we already have issues with earnestness is fodder for a different blog).

I see Angelakos along side other singer/songwriters like Khaela Maricich (The Blow), Ben Gibbard (a-la The Postal Service), and Robert Wratten (Field Mice) as artists that manage to be shmultsy but nevertheless loveable.

Let it be a lesson to those aspiring coffeehouse guitar wankers… if you’re inspired to put your love / breakup letters to music and share it with the world, do two things:

  1. Sing higher and/or softer than you’re comfortable
  2. Put some good fucking beats behind it

You’ll be a blogosphere hero in no time.