This was originally posted on URChicagos site, but far be it for me to deny my own blog some musical gold:
Lying dormant for nearly three years, experimental rock trio volcano! (note the lowercase “v”) has recently released their second LP, Paperwork. Their much-acclaimed debut album Beautiful Seizure, released by UK label Leaf, was met in late 2005 with enthusiastic acclaim here and abroad (scoring them an early appearence on oft-imitated music performance site La Blogotheque). The debut album shook; not just the pavement, but the pervading stigma that “art rock” bands can only be one thing or the other – art or rock. volcano!’s sound rectifies this disparity—simultaneously heady and accessible, intricate and forceful, ethereal and dynamic.
volcano!’s fluid creations can shift from jagged guitar squall to delicate instrumentals backed by the atmospherics of multi-instrumentalist Mark Cartwright, their song’s pop structures can quickly devolve into poly-rhythmic improvisation care of percussionist Sam Scranton. Meanwhile, vocalist/guitarist Aaron With always seems to have a trick up his sleeve, with a lyrical range that wheels from mischievous wordplay, to urgent exclamation to staccato abstraction—often in the same track.
Paperwork is its own little bundle of surprises, as the hilariously titled “Africa Just Wants to Have Fun,” bounces and jabs at celebrity-turned-philanthropists with a nod to guitar-led Afropop—both of which seem all the rage these days. The album has a bunch more surprises and creative twists, with Scranton mentioning a load of diverse influences from track-to-track, including the otherworldly psych-pop of Animal Collective to the shameless R&B come-ons of R. Kelly.
volcano! returned this August to do their first live show in two years, a CD release party for their new full-length. The Chicago-based band will be playing again this Thursday, 9/25, at The Empty Bottle. Check out a Q&A with percussionist Sam Scranton on the UR Chicago Online Exclusives page.