BPRB Updates – Turn Back the Clock this Spring?

February 6, 2009

New stuff added to the “Bored People Are Boring” things to-do list

Very suprised to see what bands will be making the rounds in the Spring.  Namely industiral music originators Throbbing Gristle will do two back-to-back shows at Epiphany (yes, that church place)… after playing NY and Cochella shows.

  • Throbbing Gristle, “What a Day” MP3 (c/o blog Farced)

 

Next on the suprise turn-back-the-clock list is Chicago’s own Red Red Meat.  The band’s roster is a who’s-who of Chicago indie rock icons, including Tim Rutili, Ben Massarella and Tim Hurley (of Califone), plus beloved producer Brian Deck (Liz Phair [when she was cool], Tortoise, The Sea and Cake, Modest Mouse).

 

 

Lastly in the old-news-made-new-news list this week, Bob Nanna (Braid, Hey Mercedes, City on Film) has a new full-band type project with ‘Mercedes bandmate Damon Atkinson called Certain People I Know and he’s twittering his little heart out about it.  As of right now, CPIK ranks as my third-favorite Smith-referencing bandname… right behind The Boy Least Likely To and Pretty Girls Make Graves.  Fittingly, the pride of the Illini are playing their first show in Urbana on March 13th at Courtyard Cafe and then make they’re way up to Chicago to play at The Beat Kitchen on the 19th.

  

*NOT The Cardigans.

Also of note is a band I randomly came across on The Next Big Sound site, Raise High the Roof Beam.  They’re doing not one, but TWO shows in the upcoming months.  The production value on these songs are iffy at best, but I do enjoy the sound.  It has the strum-and-pluck of solid indie pop (as the Salinger reference would infer) but I also hear a little bit of playful Johnathan Richman, and I can almost gurantee they’re fans of Wes Anderson.  Just a hunch.

 

All dates added on 2/6:

February:
Raise High The Roof Beam
GP Dreams
The Sundresses

March:
Certain People I Know
Women
Volcano!
Red Red Meat

April:
Lily Allen
Natalie Portman’s Shaved Head
Mason Proper
Raise High The Roof Beam
Throbbing Gristle
Flight of the Conchords

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Never Ending Polaroid Project Living Up to its Name

January 8, 2009

Neverending Polaroid b&w

In what seems like forever ago, I reported on Bob Nanna’s chain of Polaroid images which capture Somebodies and Nobodies alike in a chain that started nearly 8 years ago — March 3rd 2001, with a photo of Bob at Second City in Chicago.  Bob, at that point, was with the band Braid, and the photo chain weaves it’s way through a number of musicians you most certainly know.

Mr Nanna, who is clearly on a New Years resolution streak, is now SCANNING each one for posterity’s sake and allowing the general public to see it online — both on Facebook and Flickr.

Quite a task. 

The best part about the Flickr portion is that there’s also a brief description of each photo in case you don’t immediately recognize (or wouldn’t recognize) who’s in the photo.

(001) Bob by neverendingpolaroid.

03/09/01 – Second City, Chicago IL
This is me. I look young and happy… just like the pic of George Wendt to my left. 

 

 

(016) Rob by neverendingpolaroid.

03/10/01 – The Rave, Milwaukee WI

This is Rob, although back then everyone called him Robbie. He played bass in the Get Up Kids but lately, you’ve probably seen him scouring the globe (and your tv sets) as the bass player of Spoon! Together we probably listened to ‘The Lonesome Crowded West’ one thousand times during our European tour. 


The Never-Ending Polaroid

June 9, 2008

People take pictures of each other / Just to prove that they really existed.

-The Kinks
Bob Nanna (Braid, Hey Mercedes, City on Film) has allowed the world to see his on-going “Never-Ending Polaroid” project, now on display until July 8th at the Threadless retail store on Broadway. Nanna, along with tourmate Brian Shorttall came up with the idea nearly a decade ago, and have kept the visual string going much longer than anyone ever anticipated.

It should be stressed that these are Polaroid images, which is significant in a few ways. Firstly, I like the juxtaposition of the medium; the immediate gratification a Polaroid image provides, combined with the longevity and diligence this project demanded. Also, because these are Polaroids, each one of these photos in one-of-a-kind, unedited, and unphotoshopable, pulled from the camera by Bob (or in some cases Brian), and most likely shared with the subject before it was dutifully filed away.

On one level, the project can be appreciated by scope alone. I can’t imagine years of lugging a camera around, and keeping track of EVERY picture its ever taken (as well as the name and relationship to the subject). But a further significance is embodied in the photos because Nanna, a journeyman of the emo/indie scene, is behind the lens. The names and faces of recent rock history pop up in-between Bob’s family, friends, co-workers and roommates. Keep your eyes peeled for members of Fugazi, Death Cab for Cutie, Jets to Brazil, Weezer, Get Up Kids and a bazillion other indie bands and kids captured in a never-ending string of picture-in-picture.