Favre un-re-retires: The Divisionaries Are Born

August 19, 2009

WTF.

Brett.  Seriously?  Go play for the Birmingham Barons.

So, the Football blog I’ll be writing on is called The Divisionaries.  We’ve already got some bitching going on about Favre-gate3.0.  We’ll be able to make fun of the Lions… lots.

And if a weekly post is not enough to get your fix, we’re also on twitter here: http://twitter.com/Divisionaries

And yes.  Gridiron Girl will be making appearances in the as well.

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Mauritania Update

June 24, 2009

Adam is all well and good, and brewing wine, and killing goats.  And traveling lots.

here are some photos from my trip to bamako, mali and watching the soccer game against ghana. also, there are some of the bissap wine festival we held at my house in kiffa. we brewed our own wine and killed our own sheep to cook. note: there are some photos of this, so for those with weak stomachs, you might want to skip over the folder ‘winefest’

here is a link to more south africa photosrobben island, rugby game, etc. etc. enjoy. off to bamako, mali!

And look at this — our Alma Mater, Marquette, just ran a story on him.  Huzzah:

Fiebelkorn works at a health clinic in Kiffa, weighing babies and administering treatments to malnourished children. He’s also helping community leaders develop a campaign to distribute clean birthing kits to combat rural Mauritania’s alarmingly high infant mortality rate.

(Update 6/25)  To revise yesterday’s post about Adam, he’s wrote to say hi, and to let everyone know he’s okay.  Apparently there was an American killed in Nouakchott yesterday.

well, a quick update. i hope all of you have been enjoying some bamako and kiffa winefest photos. thus far, things are going well here in kiffa. my projects are moving along as scheduled and i have been enjoying life these last couple weeks even though it has been absurdley hot. but, as Mauritania often does, it may turn downhill quick. as of now, the incoming class of volunteers to come in behind us has been officially cancelled because the mauritanian government is refusing to issue visas. therefore, my class of 75 (there are 68 left) will be the only volunteers left in mauritania because the class before me are ending their service next week.  christmas and WAIST is about to get boring. no fresh blood to liven up the scene or show around the country. boo.  furthermore, and i don’t know how well people keep on top of the news, but there was an american killed in Nouakchott (the capital) yesterday and the North African Al-quaeda network is taking responsibility. ugh. so who knows, i may be home before you know it. i didn’t post a link but i am sure you can find it.

but! in better news! the USA soccer team did destroy the number one team in the world (spain) last night! this will setup a savory final against brazil who beat us 3-0 in the group stages! i hope all is well. don’t mean to be a downer but peace corps told us to keep friends and family ‘in the know.’ of course, no worries, peace corps prides themselves on security and i feel very safe within the community i live in. i will keep everyone updated. hope all is well.

adam


Yelp Snub – Nightwood & TeeCycle

June 12, 2009

I’ve previously mentioned Yelp for their “community censoring” — deleting unflattering reviews and allowing obviously faked positive reviews to remain posted.  For a while it was just interesting “Web 2.0” type news, but I’ve recently had a number of reviews removed from the site for various reasons.  That’s fine.  Yelp’s a private entity that can do what they wish.  (Thank God for Google cache).  I’ll post the stuff that was deleted below (including emails explaining why).

Unfortunately, the first one was for a restaurant called Nightwood, and was deleted.  I assume this is because I wrote the review based on Time Out Chicago and a few other sources commenting on the place before it even opened… ha.  Yeah, I love Lula’s and I couldn’t resist breaking the news that a sister restaurant was opening. Anyway, I received this email on 5/25 from Yelp HQ:

Hi Brian,

We’re writing to you regarding your review of Nightwood. Your review was flagged by the Yelp community, and after looking it over we’ve decided that it falls outside of Yelp’s review guidelines because it links to outside content.

We’ve also noticed that several of your other reviews also contain such links to outside content. Rather than removing these reviews, we’d like for you to use the edit function to remove these links from the body of the reviews in question. Please make the necessary changes by week’s end, or we’ll have to take them down.

We hope you’ll understand our stance here, which is meant to keep Yelp reviews fresh, fair, and original.

Thanks for being a part of the Yelp community.

Regards,
**************
Yelp User Support

Aside from my enthusiasm for the Nightwood owners and the area of Pilsen in general, my review was based entirely on other sources and, as a good blogger should do, I linked back to the stories that I drew from.   I wasn’t about to take what I’d read and pretend it was my own.  Anyway.  The plot thickens I guess.  I wrote to our Chicago Yelp liaison, who is a very nice gal….

Hey ******,

I got this email and I’m confused.

Yelp is going to take down my reviews because of links to “outside content”.

What they’re referring to as “outside content” are my references to sources I’ve used to write the post.  I.E. if I hear about someplace from TimeOut Chicago (which is what happened in the case of the Nightwood), I’m going to reference it as a source as opposed to plagiarizing.  Or, in another case, if the Art Institute used Johnny’s Grill as a place to re-imagine “Nighthawks“, finding an image online and reposting it on Yelp as my own is stealing — acknowledging outside content, I would feel, is the right thing to do.

As a site that depends on community and member reputation, I would think that transparency is of the utmost importance.  Blogging without referencing where your information is coming from, to me, would seem like the antithesis of what Yelp is about.

I would ask that Yelp reconsider what they consider “outside content” compared to proper citation.

Regards,
-Brian Battle

Meanwhile, in the world of actual journalism (as opposed to the cult of passive criticism that is Yelp) Chuck Sudo of Chicagoist wrote a review of Nightwood, in which I got made fun of… deservedly… on 5/27

To review Nightwood after one night would be a disservice to Hammel and wife Amalea Tshilds, Executive Chef Jason Vincent and the humping-to-please staff we encountered last night. (Although it didn’t stop Brian B. on Yelp, who apparently gave Nightwood a four-star rating based on TOC’s preview without even visiting). We’ll have a full-on review after a few more visits. But the Chicagoist food and drink staff have had cameras at the ready lately, so we took photos of some of the dishes we sampled. Enjoy.

Then I got this email at 7pm that same day:

Hi Brian (and *****[Yelp Chicago liason]*****),

After much careful review and discussion, we’ve decided to remove your review of Nightwood. We’re doing so for a number of reasons, but primarily it’s the copious linking and quoting, which do not represent a firsthand experience with this business. And yes, granted, we have in the past allowed “coming soon” reviews, and so, of course, a firsthand experience with a business that has yet to open is impossible. In these instances, we look to the user to write something useful about the business based on firsthand knowledge (i.e. past businesses operated by the owner; location; likely menu), but these reviews must contain firsthand information; additionally, this type of “coming soon” review is only left on the site for one month.

We hope you’ll understand our decision in this case, Brian. We also strongly urge you to make sure your reviews comply with Yelp’s review guidelines because we’ve also removed your reviews of teecycle.org since you state yourself that you have a conflict of interest with this organization.

Thank you for your understanding in this matter and thank you for being a part of the Yelp community.

Regards,
********
Yelp User Support

————— Original Message —————
From: ***************
Sent: 5/26/2009 9:33 AM
To: ******************


Subject: FW: Message from Yelp.com HQ

Hey all…

Hmm, he has a point. Any thoughts? I think his outside content is mostly just images, etc. And the Nightwood post was actually very helpful (moreso than people posting before an opening saying “Can’t wait to check it out.”)

He’s elite, and very well behaved…

Thanks,
********

*********** *******
Chicago Yelp Community Manager
Yelp.com | *******

Ha!  I love the chain of command!  Our local Chicago community manager calls me “very well behaved”!  Yay!  I should get a gold sticker.  Despite that, Yelp San Fransisco pulls my review… after the suspicious use of the word “copious”.  (Copious = 3, btw).

Anyway, the review clearly mentioned I’m fond of their owners, their chef, their other restaurant and also describes the menu.  Yet, they deem it unworthy of Yelp.  Which, considering what gets onto Yelp,  hurts bad.

What’s worse, upon further dissection of my posts, Big Yelp pulls my review of TeeCycle.Org too.  Ouch.  Ah, well.  The nail that sticks up, yada yada yada.

More on a tirade about a Lincoln Park puppy mill later.


Who’s NOT Playing Pitchfork This Year

March 26, 2009

Thanks to the idiotic “Radius Clause” inflicted on Chicago every summer, while we eagerly anticipate which bands are announced to play its  two major music festivals every year, we know immediately who WILL NOT be playing.

"Sad hipster" courtesy of Aubs on Flickr

Time Out Chicago explained it well last year:

For 60 days before and 30 days after their Lollapalooza appearance, Lolla performers are prohibited from booking a show within 250 miles of Chicago (which includes Madison, Milwaukee, Champaign, Indianapolis, Ann Arbor and Iowa City)

Because of these bullshit protectionist agreements we know that any band that plays P-fork (July 17th to 19th) cannot play Lolla (Aug 7th to 9th). Boo, fucking, hoo. But it gets more interesting than that.

Provided that Pitchfork also follows these festival rules we know that any band playing between ~May 18th and ~August 16th will not be sweating it up on stage in Union Park.

This includes TONS of bands, most of which are inconsequential. But there are a few groups that are well-regarded by the haute-indie online tastemakers that now cannot play. (Pitchfork ratings in parenthesis):

I’m especially suprised to see SXSW * bloggy sweethearts School of Seven Bells and Passion Pit on this list. St. Vincent, though only registering one album on p4k, has been a favorite over the years.  As has Art Brut who will be doing a 5-day residency at Schubas over the summer.


BPRB Updates – The Fork, The Whistler, and The Nineties

March 17, 2009

New stuff added to the “Bored People Are Boring” things to-do list

Photo from Flickr by Steph Wesolowski

Wow, it’s been a while since I updated.  First July show is up, Pitchfork has announced some of their lineup, and people, namely TimeOut Chicago and Chicagoist, have already begun tittering about Lollapalooza.

I’ll talk about a few of the new exciting ones coming up later (HELLO Yo La Tengo all-request show?!?!), the ongoing free shows at Logan Square’s The Whistler and the continuing resurgence of Early 90’s Alterno-rock… two more of which are from Chicago.  Hi Smoking Popes!  Jesus Lizard! Also, hi Toadies! Make up your mind… MAKE UP YOUR MIND AND I PROMISE YOU!

All dates added on 3/16:

March:

  • Cut Copy (DJ Set)
  • Knightlife
  • Daisy O’Dell
  • Jordan Z
  • Mr. Russia
  • Amrita
  • Raise High The Roof Beam
  • Surrender Dorothy
  • D. Rider
  • Bobby Conn
  • Monica Bou Bou
  • Blue Ribbon Glee Club
April:
  • Barcelona
  • Northpilot
  • Tight Phantomz
May:
  • Ponytail
  • Leonard Cohen
  • Crystal Antlers
  • Vivian Girls
  • Manchester Orchestra
  • Audrye Sessions
  • Winston Audio
  • Loney, Dear
  • Chin Up Chin Up
  • Yea Big
  • Kid Static
  • The Hood Internet
  • Mad Happy
  • Melvins (performing Houdini in its entirety)
  • Toadies
June:
  • Smoking Popes
  • Built To Spill (Pitchfork Music Festival)
  • The Jesus Lizard (Pitchfork Music Festival)
  • Yo La Tengo (Pitchfork Music Festival)
  • Tortoise (Pitchfork Music Festival)
  • The National (Pitchfork Music Festival)
  • Pharaoh Monch (Pitchfork Music Festival)
  • The Pains of Being Pure at Heart (Pitchfork Music Festival)

July:

  • Explosions in the Sky

Quick! Someone Identify These People!

February 20, 2009

Which ones are writer Miranda July and which ones are musician Annie Clark (aka St. Vincent).  Good luck.


2008 Music: Good Stuff.

February 5, 2009

What an ego on this guy (me). Talking in the third person, jeez. Can’t possibly cut down a list of favorite albums to just 10. Way too many clever references to make, not enough blog space.

I do finally have my top 10, but the tough thing about doing a top 10 is that you can only list 10. So, below is a bunch of stuff I loved this year… alphabetically.

Fleet Foxes s/t:  Good stuff. Nice harmonies. Sometimes they sound like Appalachian hollerers, sometimes Pet Soundfetishists, the great part is they’re still so young still… such a promising band with so much on the horizon. MP3“He Doesn’t Know Why” (c/o Bridging the Atlantic)

David Byrne & Brian EnoEverything That Happens will Happen Today: On the other side of the rock spectrum are these two “oldies” that can still put together a great album. Yes, David, “These beats ARE 30 years old,” but the two of you have a feeling for song construction that has no expiration date. MP3: “Strange Overtones” (c/o Rollo & Grady)

Broke Social Scene presents: Brendan CanningSomething for All of Us: It’s a good sign that the worst criticism of this album is that it “sounds like Broken Social Scene”.  Since when is that bad?  Bored enough being awesome together, the Canadian collective has begun highlighting their individual members.  Now that everyone loves with the BSS sound, it’s fascinating to see what parts of this super-group come from which members… Mr. Canning is definitely an integral part. MP3: Take Care Look Up (c/o Lost In Your Inbox)

Crystal Castles – s/t: Playing what sounds like 8-bit Nintendo sequences is nothing new anymore, but rarely is it done so menacingly and with such flair. I’m a big fan of it. And, according to interviews, instrumentalist Ethan Kath thinks he’s pretty great too. MP3: “Courtship Dating” (c/o Raised on Indie)

Girl TalkFeed the Animals: Stretching his digitentacles even further in the recesses of the American Mind and the American Top 40, Greg Gillis makes pan-generational dance gems. Quite possibly the only way your parents might ever get to hear a Ludacris song. MP3: “In Step” (c/o Selective Service)

Hercules and Love Affair s/t: The history of the disco is much like the history of many other musical-based cultural movements… soulful, relevant, moving music that crystallizes into a social identity.  Only to be adopted by the masses and fall into vacuousness, materialism, and eventual disdain. With the help of ghostly vocal contributions from Antony (of Antony & Johnson’s fame), H&LC has stripped off the materialist and empty glamor of later-day disco to get back to the soul of the movement. MP3: “Blind” (c/o Salad Days Music)

Hot ChipMade in the Dark: The dreaded sophomore slump can not be lobbed towards the blippy geek funk of Hot Chip. First of all… it isn’t their second album. Secondly, Alexis Taylor froze the preemptive naysayers in their steps by throwing a change-up.  Dark is not quite a reinvention of the band, but a proclamation that they’re not just a dance group hardwired to peddle the same pop gold like a monkey with a miniature cymbal. The album is a hodgepodge of tracks that don’t rely too heavily on the bands talent for addictive hooks, but continually push their obvious talents toward interesting ends.

Jamie LidellJim: Jamie Lidell will always be cursed by having one the most jaw-dropping, spazmatic live shows around.  Jamie shifts to Jim, and his booty-moving electro roots shift to the hip-swinging soul of his other obvious Detroit influence — Motown soul.

Lil WayneTha Carter III: (In which a pasty white blogger has to pretend he has taste in hip-hop).  Everyone said I should like this album… I listened to it, I did.  Lil Dub simultaneously lives the thug live, and makes fun of it mercilessly.  You have to appreciate the sort of self-awareness he spouts in a Hip-Hop world that increasingly is a parody of itself.

Lykke LiYouth Novels: Precocious, sexual, childish, foreign.  There are the qualities I think of when I hear Lykke Li’s voice glide through her much-anticipated downtempo electro LP.  At times her voice can be cute and charming, at other times the same lightness can sound sultry and mischievous.  MP3“Dance Dance Dance” (c/o Bridging the Atlantic)

Stephan Malkmus & The JicksReal Emotional Trash: The songs are getting longer, but three LP’s in, S.M.’s quality control has not diminished.  He’s good when he’s silly, he’s good when he’s… less silly.  His lyrics are fun when they’re free-associative or directly narrative. The songs will vary from3-minute ditties to 8-minute guitar jam epics but they’re always a good listen.

MGMTOracular Spectacular: It became obvious the blogosphere knew more about popular taste than the music biz this summer at Lollapalooza, when MGMT played a surprisingly early set to a crowd that dwarfed any other band that day save the headliners.  I’m more of a fan of the singles on this album than the entire LP, but MGMT is young, and inventive, and goddamn weird so I’ll look forward to their next release.

Natalie Portman’s Shaved HeadSecret Crush EP: Stupid like a FOX! NPSH are spastic, silly, unapologetic nonsense peddlers.  But it’s so damn fun.  They’re all cheesy synths and drum sequencers, hand claps and sarcastic deliveries.  They remind me of what Tilly & The Wall would sound like if they came out of Brooklyn instead of the midwest, and decided to just make fun of everyone instead of being so goddamn sincere all the time.

Re-Up GangWe Got it For Cheap Vol. 3 Mixtape: From what I’ve read, the first two mixtapesof this Clipse collective are better that this one, but all I know is what I got.   Mixtapes are primarily a vehicle for hip-hoppers to lob insult grenades at eachother between albums, and there’s plenty of that here.  My fav track is the most obvious statement Clipse will ever make in their life, “They Know Yeyo”.

Sam Sparros/t:  If “back to bones” disco is why Hercules & Love Affair is commended for their LP this year, Sam Sparro should be rewarded conversely for pushing the genre further out into space.  It has the kind of bounce that you would hear at the club, but adds elements of funk, french electro, and soul that fit perfectly together.

She & HimVolume 1: I sort of slammed Paste as putting this down as their #1 album of the year but it definitely is a great listen.  Zooey DesChannel and M.Ward both share a “timeless” vibe that make these songs charming and their choice of covers wholly appropriate.

Sigur RosMeð suð í eyrum við spilum endalaust:  Gotta admit, every time I hear Sigur Ros has a new album out I’m ready to be off the band wagon, but the shit is just too good to quit.  Jon Thor Birgisson is lightening up a little, okay with songs under 4-minutes, okay with joy, okay with uncryptic album art, okay with (OMG!) singing in English, if only briefly.

T.I.Paper Trail: Can a guy do MORE guest spots?  Seriously.  Yes, there’s nothing really earth-shattering about T.I. but what he does he does so well… namely talk-singing about inane rap-type things, but goddammit if it’s on in a bar, you’re lip syncing along and pointing at the ground with finger guns

Times New VikingRip It Off: Perhaps a bit overrated, and difficult to distinguish one song from the other, but cut through the fuzz (and the obnoxious recorded-bad-on-purpose aesthetic) and these are sure fire-melodies that deliver like a sugar pill wrapped in flannel lint. MP3“Drop-Out” (c/o Bridging the Atlantic)

Vivian Girlss/t: “Oooooo-Ohhhhh-La-La-La-La-La!”  Ack!  It’s the ghosts of twee past!With magnetic ribbons of C86 mix tapes fluttering confusedly around it!  It has teeth, and fearsome sarcasm, and haggard pop harmonizing, and unrelenting indifference to the fact that indie pop is supposed to be adorable.