Best Albums of the last 12 months or so… Hood Internet

April 30, 2009

Hey.  It’s prettymuch May.  Can I slack any more?  I figure, since the year is nearly half over, I’ll just post 12 or so albums I liked over the last 12 or some months…

The Hood Internet – The Hood Internet vs. Chicago Mixtape

(#2 of 12 in no particular order)

Comprised of DJ STV SLV and ABX, The Hood Internet represent the future of the mash-up. Gone are the days where you mix one song with another song just because you can, or because they share a strange time signature, or because they make a hilarious song title. Technology is such (and GirlTalk has shown) that there is a way to mix any song with any another song and make it sound good. The next step, the step Hood Internet is going in, is voluntary restraint for the sake of clarity and craft — in this case, restricting the mix to only bands that share the city they all hail from.  Also, it’s my City, so I’m biased.

The best part?  It’s a Mash-Up so it’s FREE

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Geronimo Jackson: LOST Rock Found

April 24, 2009

The Fictional Geronimo Jackson -- they look like Sawyer's people

Except for a few times in Season 1, when the lovable Hurley would put on his Discman to listen to some god-awful Grey’s Anatomy reject songs while observing life on The Island in slo-mo, the two things I  tend to obsess over — LOST and pop music — rarely come together.

But lo and behold, hipster culture dictator Pitchfork Media broke a VERY interesting development a few weeks ago:  The story of a fictional classic rock band Geronimo Jackson / real San Diego throwback rockers The Donkeys. The Phork reports:

On a recent episode, the character Jin (Daniel Dae Kim) is heard listening to a Geronimo Jackson song called “Dharma Lady”, and last week, the song appeared as a free download on iTunes. Over on the “Lost” message board Dark UFO, someone noticed that “Dharma Lady” is almost the exact same song as “Excelsior Lady” by the Donkeys

The non-fictional Donkeys

Well played Dark UFO dude!  Pitchfork, thorough journalists as they are, took it straight to The Donkeys’ label, Dead Oceans, to pose the question, “Are the Donkeys Geronimo Jackson?”.  The reply was revealing, also, hilarious:

“It seems as though it’s possible that the Donkeys also existed as Geronimo Jackson in 1977. It might be possible that they were part of a Dharma Initiative experiment on time travel … Geronimo Jackson is likely to appear on extras of the season five ‘Lost’ DVD, where they will feature the band recording ‘Dharma Lady’.”

Hahahah.  It seems they did indeed.  Alrighty then.  A simple “yes” would have sufficed.

Anyway, Geronimo Jackson seems to be a recurring reference in the show — on T-shirts, on posters, but most prominently in the scene below.  Hurley and Charlie (who could easily pass for clerks at Championship Vinyl) sift through the Dharma record collection and come across the GerJack LP Magna Carta…

Innnnnnnteresting Charlie.  Hmmm.  You say you’re an “expert of all things musical,” but you’ve never heard of them, eh?  Hmmmm.  Maybe that’s because YOU’RE IN THE BAND in the past (future episodes)!?!?!  Wha? Sounds ridiculous, but why not?

I personally like to think that Charlie is bound to show up again.  First of all, one of the lesbians hiding in the Looking Glass told Charlie that the stations’ passcode was the song “Good Vibrations” and that it was originally programmed “by a musician”.  That’s a weird tidbit of information to throw out there as your dying words, isn’t it Bonnie?

Also Charlie gets the code on the first crack before he drowns.  Is it too crazy to assume that Charlie himself wrote that passcode?  I don’t think so.  Meaning, Charlie didn’t die at that point, and is sure to have lived and done other things, like, ummmmm, jumping through time and forming a band in the 70s. It’s possible.  After all, we’ve seen people we thought were dead come back to life in the show before.   Isn’t it possible that Charlie is in the band Geronimo Jackson?  Could be.

Also, is it at all possible that Geronimo is actually the name of Jack’s son?  Doubtful.

You can down the Donkey’s on music blog Gramotunes.com: The Donkeys – “Excelsior Lady


BPRB Updates – Turn Back the Clock this Spring?

February 6, 2009

New stuff added to the “Bored People Are Boring” things to-do list

Very suprised to see what bands will be making the rounds in the Spring.  Namely industiral music originators Throbbing Gristle will do two back-to-back shows at Epiphany (yes, that church place)… after playing NY and Cochella shows.

  • Throbbing Gristle, “What a Day” MP3 (c/o blog Farced)

 

Next on the suprise turn-back-the-clock list is Chicago’s own Red Red Meat.  The band’s roster is a who’s-who of Chicago indie rock icons, including Tim Rutili, Ben Massarella and Tim Hurley (of Califone), plus beloved producer Brian Deck (Liz Phair [when she was cool], Tortoise, The Sea and Cake, Modest Mouse).

 

 

Lastly in the old-news-made-new-news list this week, Bob Nanna (Braid, Hey Mercedes, City on Film) has a new full-band type project with ‘Mercedes bandmate Damon Atkinson called Certain People I Know and he’s twittering his little heart out about it.  As of right now, CPIK ranks as my third-favorite Smith-referencing bandname… right behind The Boy Least Likely To and Pretty Girls Make Graves.  Fittingly, the pride of the Illini are playing their first show in Urbana on March 13th at Courtyard Cafe and then make they’re way up to Chicago to play at The Beat Kitchen on the 19th.

  

*NOT The Cardigans.

Also of note is a band I randomly came across on The Next Big Sound site, Raise High the Roof Beam.  They’re doing not one, but TWO shows in the upcoming months.  The production value on these songs are iffy at best, but I do enjoy the sound.  It has the strum-and-pluck of solid indie pop (as the Salinger reference would infer) but I also hear a little bit of playful Johnathan Richman, and I can almost gurantee they’re fans of Wes Anderson.  Just a hunch.

 

All dates added on 2/6:

February:
Raise High The Roof Beam
GP Dreams
The Sundresses

March:
Certain People I Know
Women
Volcano!
Red Red Meat

April:
Lily Allen
Natalie Portman’s Shaved Head
Mason Proper
Raise High The Roof Beam
Throbbing Gristle
Flight of the Conchords


2008 Music: Good Stuff.

February 5, 2009

What an ego on this guy (me). Talking in the third person, jeez. Can’t possibly cut down a list of favorite albums to just 10. Way too many clever references to make, not enough blog space.

I do finally have my top 10, but the tough thing about doing a top 10 is that you can only list 10. So, below is a bunch of stuff I loved this year… alphabetically.

Fleet Foxes s/t:  Good stuff. Nice harmonies. Sometimes they sound like Appalachian hollerers, sometimes Pet Soundfetishists, the great part is they’re still so young still… such a promising band with so much on the horizon. MP3“He Doesn’t Know Why” (c/o Bridging the Atlantic)

David Byrne & Brian EnoEverything That Happens will Happen Today: On the other side of the rock spectrum are these two “oldies” that can still put together a great album. Yes, David, “These beats ARE 30 years old,” but the two of you have a feeling for song construction that has no expiration date. MP3: “Strange Overtones” (c/o Rollo & Grady)

Broke Social Scene presents: Brendan CanningSomething for All of Us: It’s a good sign that the worst criticism of this album is that it “sounds like Broken Social Scene”.  Since when is that bad?  Bored enough being awesome together, the Canadian collective has begun highlighting their individual members.  Now that everyone loves with the BSS sound, it’s fascinating to see what parts of this super-group come from which members… Mr. Canning is definitely an integral part. MP3: Take Care Look Up (c/o Lost In Your Inbox)

Crystal Castles – s/t: Playing what sounds like 8-bit Nintendo sequences is nothing new anymore, but rarely is it done so menacingly and with such flair. I’m a big fan of it. And, according to interviews, instrumentalist Ethan Kath thinks he’s pretty great too. MP3: “Courtship Dating” (c/o Raised on Indie)

Girl TalkFeed the Animals: Stretching his digitentacles even further in the recesses of the American Mind and the American Top 40, Greg Gillis makes pan-generational dance gems. Quite possibly the only way your parents might ever get to hear a Ludacris song. MP3: “In Step” (c/o Selective Service)

Hercules and Love Affair s/t: The history of the disco is much like the history of many other musical-based cultural movements… soulful, relevant, moving music that crystallizes into a social identity.  Only to be adopted by the masses and fall into vacuousness, materialism, and eventual disdain. With the help of ghostly vocal contributions from Antony (of Antony & Johnson’s fame), H&LC has stripped off the materialist and empty glamor of later-day disco to get back to the soul of the movement. MP3: “Blind” (c/o Salad Days Music)

Hot ChipMade in the Dark: The dreaded sophomore slump can not be lobbed towards the blippy geek funk of Hot Chip. First of all… it isn’t their second album. Secondly, Alexis Taylor froze the preemptive naysayers in their steps by throwing a change-up.  Dark is not quite a reinvention of the band, but a proclamation that they’re not just a dance group hardwired to peddle the same pop gold like a monkey with a miniature cymbal. The album is a hodgepodge of tracks that don’t rely too heavily on the bands talent for addictive hooks, but continually push their obvious talents toward interesting ends.

Jamie LidellJim: Jamie Lidell will always be cursed by having one the most jaw-dropping, spazmatic live shows around.  Jamie shifts to Jim, and his booty-moving electro roots shift to the hip-swinging soul of his other obvious Detroit influence — Motown soul.

Lil WayneTha Carter III: (In which a pasty white blogger has to pretend he has taste in hip-hop).  Everyone said I should like this album… I listened to it, I did.  Lil Dub simultaneously lives the thug live, and makes fun of it mercilessly.  You have to appreciate the sort of self-awareness he spouts in a Hip-Hop world that increasingly is a parody of itself.

Lykke LiYouth Novels: Precocious, sexual, childish, foreign.  There are the qualities I think of when I hear Lykke Li’s voice glide through her much-anticipated downtempo electro LP.  At times her voice can be cute and charming, at other times the same lightness can sound sultry and mischievous.  MP3“Dance Dance Dance” (c/o Bridging the Atlantic)

Stephan Malkmus & The JicksReal Emotional Trash: The songs are getting longer, but three LP’s in, S.M.’s quality control has not diminished.  He’s good when he’s silly, he’s good when he’s… less silly.  His lyrics are fun when they’re free-associative or directly narrative. The songs will vary from3-minute ditties to 8-minute guitar jam epics but they’re always a good listen.

MGMTOracular Spectacular: It became obvious the blogosphere knew more about popular taste than the music biz this summer at Lollapalooza, when MGMT played a surprisingly early set to a crowd that dwarfed any other band that day save the headliners.  I’m more of a fan of the singles on this album than the entire LP, but MGMT is young, and inventive, and goddamn weird so I’ll look forward to their next release.

Natalie Portman’s Shaved HeadSecret Crush EP: Stupid like a FOX! NPSH are spastic, silly, unapologetic nonsense peddlers.  But it’s so damn fun.  They’re all cheesy synths and drum sequencers, hand claps and sarcastic deliveries.  They remind me of what Tilly & The Wall would sound like if they came out of Brooklyn instead of the midwest, and decided to just make fun of everyone instead of being so goddamn sincere all the time.

Re-Up GangWe Got it For Cheap Vol. 3 Mixtape: From what I’ve read, the first two mixtapesof this Clipse collective are better that this one, but all I know is what I got.   Mixtapes are primarily a vehicle for hip-hoppers to lob insult grenades at eachother between albums, and there’s plenty of that here.  My fav track is the most obvious statement Clipse will ever make in their life, “They Know Yeyo”.

Sam Sparros/t:  If “back to bones” disco is why Hercules & Love Affair is commended for their LP this year, Sam Sparro should be rewarded conversely for pushing the genre further out into space.  It has the kind of bounce that you would hear at the club, but adds elements of funk, french electro, and soul that fit perfectly together.

She & HimVolume 1: I sort of slammed Paste as putting this down as their #1 album of the year but it definitely is a great listen.  Zooey DesChannel and M.Ward both share a “timeless” vibe that make these songs charming and their choice of covers wholly appropriate.

Sigur RosMeð suð í eyrum við spilum endalaust:  Gotta admit, every time I hear Sigur Ros has a new album out I’m ready to be off the band wagon, but the shit is just too good to quit.  Jon Thor Birgisson is lightening up a little, okay with songs under 4-minutes, okay with joy, okay with uncryptic album art, okay with (OMG!) singing in English, if only briefly.

T.I.Paper Trail: Can a guy do MORE guest spots?  Seriously.  Yes, there’s nothing really earth-shattering about T.I. but what he does he does so well… namely talk-singing about inane rap-type things, but goddammit if it’s on in a bar, you’re lip syncing along and pointing at the ground with finger guns

Times New VikingRip It Off: Perhaps a bit overrated, and difficult to distinguish one song from the other, but cut through the fuzz (and the obnoxious recorded-bad-on-purpose aesthetic) and these are sure fire-melodies that deliver like a sugar pill wrapped in flannel lint. MP3“Drop-Out” (c/o Bridging the Atlantic)

Vivian Girlss/t: “Oooooo-Ohhhhh-La-La-La-La-La!”  Ack!  It’s the ghosts of twee past!With magnetic ribbons of C86 mix tapes fluttering confusedly around it!  It has teeth, and fearsome sarcasm, and haggard pop harmonizing, and unrelenting indifference to the fact that indie pop is supposed to be adorable.